Devenir L'image Paris
Devenir L’image brings together original live drawings created by Bogdan Jensen during Berlin performances of Le Garçon le plus triste du Monde, following Nathan as actor, muse, image and human subject over five consecutive shows, over multiple weeks. The works can be seen in Le Chariot, Paris.
Becoming I-V
Each evening begins with the same pose, yet each evening is different. The audience, the air, the pressure, all feel different.
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Becoming I
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Becoming III
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Becoming IV
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Becoming V
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Chanson I-V
Each evening we sing the song Garçon Banal together with the audience. The moments are brief.
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Chanson III
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Chanson IV
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Masque I-IV
Each evening he puts on a mask of liquid chalk. The lines are the same, yet the delivery always changing, morphing.
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Masque III
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Mort ou non? I-VI
After the mask is on, the question is asked : Am I dead, or am I not dead?. The conflict between him, the model, and me the artist trying to steal his image is laid bare. Each week, this conflict intensifies.
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Mort ou non? I
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Mort ou non? II
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Mort ou non? III
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Mort ou non? IV
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Mort ou non? V
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Mort ou non? VI
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Tendu I-IV
The shows brings us to a statueque pose, full of tension, dread and exhaustion.
Fugue I-V
The drawings transform with each passing evening.
Abstraction I-IV
Some become more clear and direct, while other scenes become ever more abstract and loose.
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Abstraction I
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Abstraction II
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Abstraction III
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Abstraction IV
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Figure I-III
Others leave the same imprint, yet in very different feelings.
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Figure III
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Pose I-III
Each evening, however, also highlights new poses, that weren't as present in the other shows, making this entire series alive.
Suspended I-III
Each evening Nathan morphs into St. Sebastian, yet never entirely, his own image suspended in time.
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Suspended II
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Suspended III
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